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New book – Illness, Pain, and Health Care in Early Christianity, by helen Rhee, pub. by Eerdmans 

Illness, Pain, and Health Care in Early Christianity

Helen Rhee 

Publisher ‏ : ‎ Eerdmans (October 22, 2022)
Language ‏ : ‎ English
Hardcover ‏ : ‎ 367 pages
ISBN-10 ‏ : ‎ 0802876846
ISBN-13 ‏ : ‎ 978-0802876843

In this wide-ranging interdisciplinary study, Helen Rhee examines how early Christians viewed illness, pain, and health care and how their perspective was influenced both by Judeo-Christian tradition and by the milieu of the larger ancient world. Throughout her analysis, Rhee places the history of medicine, Greco-Roman literature, and ancient philosophy in constructive dialogue with early Christian literature to elucidate early Christians’ understanding, appropriation, and reformulation of Roman and Byzantine conceptions of health and wholeness from the second through the sixth centuries CE.

Utilizing the contemporary field of medical anthropology, Rhee engages illness, pain, and health care as sociocultural matters. Through this and other methodologies, she explores the theological meanings attributed to illness and pain; the religious status of those suffering from these and other afflictions; and the methods, systems, and rituals that Christian individuals, churches, and monasteries devised to care for those who suffered. Rhee’s findings ultimately provide an illuminating glimpse into how Christians began forming a distinct identity—both as part of and apart from their Greco-Roman world.

 

Table of Contents

Introduction
1. Health, Disease, and Illness in Greco-Roman Culture
2. Health, Disease, and Illness in the Bible and Early Christianity
3. Pain in Greco-Roman Culture and Early Christianity
4. Health Care in the Greco-Roman World
5. Health Care in Early Christianity
Conclusion
Bibliography
Indexes

 

More on the editor website: https://www.eerdmans.com/Products/7684/illness-pain-and-health-care-in-early-christianity.aspx

New publication – Mirator Vol 2020-2 (2021): Disability in the Medieval Nordic World, Edited by Christopher Crocker.

Mirator is a multilingual peer-reviewed electronic journal devoted to medieval studies. It is published by Glossa, the Society for Medieval Studies in Finland.

Published: 2021-03-12
 

Articles

 

Open acces edition and more information on the Mirator Journal website.

Podcast – The Sick to Death Podcast – A history of medicine in ten objects

The Sick to Death Podcast – A history of medicine in ten objects on display at the brand-new medical museum in the heart of the historic city of Chester. To find out more, visit www.sicktodeath.org.

  • Industrial Revolution

    In the seventh episode of our brand-new podcast series, historian and host Rebecca Rideal is joined by Sick to Death’s very own Dean Paton, as well as experts Dr Deborah Brunton, Julie Mathias, Stephen McGann, Dr David Turner and Dr Jaipreet Virdi. We’ll explore the ways in which the Industrial Revolution transformed public health, brought disability rights to the fore, and wreaked havoc on urban health. Today’s object is a model of smoke damaged lungs.Written and produced by Rebecca Rideal.Edited and produced by Peter Curry. The podcast is brought to you by Sick to Death, an exciting new medical museum in the heart of historic Chester.heme music: “Time” by The Broxton Hundred.

  • The Vaccine

    In the sixth episode of our brand-new podcast series, historian and host Rebecca Rideal is joined by Sick to Death’s very own Dean Paton, as well as experts Elise Mitchell, Owen Gower, Professor Kate Williams and Dr Lindsey Fitzharris. Focusing on smallpox, we tell the fascinating story of vaccinations. Today’s ‘object’ is St Michael’s Church, Chester.Written and produced by Rebecca Rideal.Edited and produced by Peter Curry.Theme music: “Time” by The Broxton HundredThe podcast is brought to you by Sick to Death, an exciting new medical museum in the heart of historic Chester.

  • The Global Exchange of Medicine and Disease

    In the fifth episode of our brand-new podcast series, historian and host Rebecca Rideal is joined by Sick to Death’s very own Dean Paton, as well as experts Elise Mitchell, Dr James Brown, Dr Kim Walker, Professor Manuel Barcia Paz and Dr Rohan Deb Roy to investigate how medicine and disease traveled around the globe. Focusing on the transatlantic slave trade and the story of malaria and quinine, we’ll shine a light on medicine during early modern globalization. Today’s objects are tea and coffee.Written and produced by Rebecca Rideal.Edited and produced by Peter Curry.Theme music: “Time” by The Broxton HundredThe podcast is brought to you by Sick to Death, an exciting new medical museum in the heart of historic Chester.*Warning: this episode contains content some listeners might find disturbing*

  • Early Modern Medicine

    In the fourth episode of our brand-new podcast series, historian and host Rebecca Rideal is joined by Sick to Death’s very own Dean Paton, as well as experts Julie Mathias, Dr Lara Thorpe, Dr Wanda Wyporska, Luke Pepera and Dr Anton Howes to investigate medicine during the early modern period. Forget the Tudors, the big story during this time is the movement of medical thinking away from Galen. Today’s object is a life-size replica of Andreas Vesalius’s Hanging Man.Written and produced by Rebecca Rideal.Edited and produced by Matt Pearson.Theme music: “Time” by The Broxton HundredThe podcast is brought to you by Sick to Death, an exciting new medical museum in the heart of historic Chester.

  • The Black Death

    In the third episode of our brand-new podcast series, historian and host Rebecca Rideal is joined by Sick to Death’s very own Dean Paton, as well as experts Dr Janina Ramirez, Professor Michael Wood, Dr Eleanor Janega, Dr Emma Wells and Shafi Musaddique to investigate the history of the Black Death – from medicine and religion to trade and culture.  Today’s object is a pomander, used to ward of miasma…Written and produced by Rebecca Rideal.Edited and produced by Peter Curry.Theme music: “Time” by The Broxton HundredThe podcast is brought to you by Sick to Death, an exciting new medical museum in the heart of historic Chester.

  • Medieval Medicine

    In the second episode of our brand-new podcast series, historian and host Rebecca Rideal is joined by Sick to Death’s very own Dean Paton, as well as experts Dr Janina Ramirez, Professor Michael Wood, Dr Eleanor Janega and Shafi Musaddique to explore the history of medicine during the medieval period. Today’s object is the skeleton of a medieval nun. Written and produced by Rebecca Rideal.Edited and produced by Peter Curry.Theme music: “Time” by The Broxton Hundred.

  • The Ancient World

    In the first episode of our brand-new podcast series, historian and host Rebecca Rideal is joined by Sick to Death’s very own Dean Paton, as well as experts Dr Matt Pope, Dr Jay Crisostomo, Dr Sushma Jansari and Dr Naoise Mac Sweeney to explore the history of medicine during the prehistoric and the ancient world. Today’s object is a replica Roman medical kit, complete with votive eyes, knives and specula. Enjoy!Written and produced by Rebecca Rideal.Edited and produced by Peter Curry.Theme music: “Time” by The Broxton Hundred.

Link for the podcast here

Transcript of the episode here.

New book – Cécile Chapelain De Seréville-Niel, Christine Delaplace, Damien Jeanne et Pierre Sineux, “Purifier, soigner ou guérir ? Maladies et lieux religieux de la Méditerranée antique à la Normandie médiévale”, Rennes, Presses universitaires de Rennes, 2020.

Cet ouvrage permet une première synthèse sur l’empreinte des phénomènes religieux dans le traitement des maladies au sein des sociétés antiques et médiévales. Les investigations récentes menées pour la Normandie médiévale, mais aussi les études s’appuyant sur une aire géographique large (de la Grèce au monde anglo-normand) du VIIIe siècle av. J.-C. au XIIIe siècle apr. J.-C. ont permis d’aboutir à des réflexions croisées sur les problématiques suivantes : les sanctuaires de guérison participent-ils à la construction socioreligieuse du territoire ? Le religieux est-il indissociable du médical ? Quelle est la part de la magie dans les pratiques médicales ? La diffusion des savoirs médicaux éclipse-t-elle le religieux ?

Sommaire

  • Entre punition et élection : les maladies sont-elles sacrées ?
  • Thérapeutes et mortifères : dieux saints et roi
  • Typologie, typographie et fonctions des lieux religieux
  • Savoirs médicaux, rites, pratiques de guérison, purification, exorcisme

Auteurs

Cécile Chapelain de Seréville-Niel est archéoanthropologue et ingénieure de recherche en archéologie au CNRS. Elle est responsable du Service d’archéoanthropologie du Centre Michel-de-Boüard-CRAHAM (Centre de recherches archéologiques et historiques antiques et édiévales) UMR 6273 du CNRS – université de Caen-Normandie.

Christine Delaplace est professeur d’histoire romaine à l’université de Caen-Normandie. Elle dirige depuis 2017 le centre Michel-de-Boüard-CRAHAM.

Damien Jeanne est docteur en histoire et archéologie des mondes médiévaux et est membre associé au centre Michel-de-Boüard-CRAHAM.

Pierre Sineux (†) était professeur d’histoire grecque et membre du centre Michel-de-Boüard-CRAHAM. Il a été président de l’université de Caen-Normandie de 2012 à 2016.

Call for contribution for an Essay Collection to be submitted with Brill, for the Book Series Narratives and Mental Health

CfP for an Essay Collection to be submitted with Brill, for the Book Series Narratives and Mental Health

The Cultural Heritage of Psychiatry and its Literary Transformations: Middle Ages to the Present

Ed. Katrin Röder & Cornelia Wächter

This volume explores the history of English, American and Anglophone literary representations of mental distress and its medical investigation and treatment as significant parts of the cultural heritage of psychiatry since the Middle Ages. In line with Aleida Assmann’s approach, the volume perceives cultural heritage as ‘that part of the material and immaterial cultural memory that has been selected and destined for active transfer and circulation’ (2020, 9, transl. K.R.). The Cultural Heritage of Psychiatry and its Literary Transformations: Middle Ages to the Present (working title)approaches the cultural heritage of psychiatry as a complicated gift that connects the past to the present and the future. Like all forms of cultural heritage and functional memory, the cultural heritage of psychiatry calls for a responsible use of its components, for their preservation and protection against damage and suppression as well as for perpetual transformation, renewal and change (Assmann: 2013, 330; Assmann 2020, 9).

The cultural heritage of psychiatry is often regarded as problematic, difficult and burdensome, not least because of the long history of medicalization, institutionalized confinement, constraint and abuse of ‘patients’/users (Foucault 1988; Showalter 1985; Reaume 2010; Lewis 2010; Punzi 2019, 243-244, 248-249; Punzi/Röder 2019, 197-201). While all cultural heritage is selective and incomplete (Assmann 2008, 106), the fragmentariness of the heritage of psychiatry is to a considerable degree the result of processes of social, political and rhetorical exclusion, that is, of the silencing, suppression, stigmatization, moral condemnation and invalidation of ‘patients”/’users’ voices/self-presentations in different periods of cultural and intellectual history (Foucault 1988, passim; Showalter 1985, passim; Punzi 2019; Guest Pryal 2010, 479-480).

In this context, literature is assigned a preeminent role as ‘the mnemonic art par excellence’ (Lachmann 2008, 301). As a reintegrative interdiscourse, it simultaneously creates and observes memory, representing a ‘body of commemorative actions that include the knowledge stored by a culture, and virtually all texts a culture has produced and by which a culture is constituted’ (ibid.; Erll 2008, 391). Hence, practices of writing, reading and creative appropriation revolving around the topics of mental distress/madness and forms of treatment performatively construct the cultural memory and cultural heritage of psychiatry. They interact with extant cultural texts in diverse ways, e.g. through convergence, divergence, interrogation, assimilation or repulsion (Lachmann 2008, 301; Neumann 2008, 334, 337-338; Paris 2017). In these interactions, intertextuality plays a central role because it ‘demonstrates the process by which a culture […] continually rewrites and retranscribes itself […]’ (Lachmann 2008, 301).

The planned volume will explore how literary texts shape the cultural memory and heritage of psychiatry, how they interact with dominant and alternative forms and traditions of treatment and care and how they bear witness to and fragmentarily retrieve/imagine suppressed, medicalized voices, thereby producing counter-cultural memories (Saunders 2008, 327). By investigating the interdependence and complex interaction between literary and non-literary texts in their historical and cultural contexts, the anthology will emphasize the close connection between history and cultural heritage that was often either neglected or questioned in the past (Assmann 2020, 10).

By integrating the perspective of critical heritage studies, this volume will interrogate collective forms of cultural identity and literary canon formation with regard to what is forgotten, rejected and excluded (Assmann 2020, 10). It perceives the cultural heritage of psychiatry as a dynamic, globalized, dissonant processthat is relative to as well as formative of changing and fragmentary systems of value and significance (Wells 2017).

Although there is a comprehensive body of recent and prevailing book-length studies about the relationship between English, American and Anglophone literature, psychiatric discourse and conceptions of madness/mental distress in specific periods, genres and historical and cultural contexts (e. g. Rogers 2019; Crawford 2019; Gaedtke 2017; Whitehead 2017; Stanback 2016; Iseli 2015; Dickson/Ingram 2012; Ingram/Sim/Lawlor et al. 2011; Sedlmayr 2011; Veit-Wild 2006; Neely 2004; Lange 1997; Ziolkowski 1990), investigations of the practices of remembering the cultural heritage of psychiatry in relation to historical changes in the representation of mental distress and its treatment remain a desideratum. This volume seeks to provide central insights into these topics.

We invite chapters (each with a length of ca. 7000 words) exploring the following questions:

  • How do literary texts from different periods of literary history interact with the history and cultural heritage of psychiatry and with the cultural representations of mental distress in their specific historical moments (e.g. through intertextuality, imaginative appropriation …)?
  • How do they bear witness to, negotiate, criticize, challenge, imaginatively re-configurate, transform and re-invent this heritage?
  • How do literary texts problematize the relationship between memory, heritage, forgetting, fragmentation and suppression?
  • How do they represent the heritage of psychiatry and the cultural imaginary of mental distress in ways that make this heritage relevant for their historical present and their envisaged future?

Each chapter should start with a concise overview of concepts and discourses of mental distress/madness and the heritage of psychiatry in the respective periods of literary/cultural history. Thereafter, they should provide an analysis of selected literary texts (one or more, any genre) with regard to their techniques of representing and remembering conceptions of mental distress/madness and psychiatric treatment in their respective historical present and in reciprocal intertextual connections with their respective historical past (and perhaps their respective envisaged future). Whenever possible, discussions of intersectional relationships between concepts of mental distress/madness, psychiatric treatment and gender, sexual orientation, ethnicity, race and migrant identities should be included.

Please send your abstract (500-600 words) until 1 September 2020 to kroeder@uni-potsdam.de or cornelia.waechter@rub.de

 

More infos on H-Net

 

Bibliography (secondary literature)

Assmann, Aleida. ‘Zur Mediengeschichte des kulturellen Gedächtnisses’. Medien des kollektiven Gedächtnisses. Ed. A. Erll. Berlin: De Gruyter, 2004, 45-61.

―: Cultural Memory and Western Civilization: Arts of Memory. Cambridge: Cambridge University Press, 2013.

―: ‘Vom Wert der Erinnerung. Gedanken von Aleida Assmann zum Kulturellen Erbe’. Wissen – Bildung – Gemeinschaft. Magazin. Was Wir Weitergeben: Unsere Werte in der Welt von Morgen 01.20 (2020): 8-11. 9 Januar 2020. Web. https://issuu.com/wbg-wissenverbindet/docs/wbg-magazin_2020_01.pdf

Baker, Charley: Madness in Post-1945 British and American Fiction. Basingstoke: Palgrave Macmillan, 2010.

Camus, Marianne: Gender and Madness in the Novels of Charles Dickens. Lewiston, NY: Mellen Press, 2004.

Crawford, Joseph: Inspiration and Insanity in British Poetry 1825 – 1855. Cham: Palgrave Macmillan, 2019.

Dickson, Leigh Wetherall, and Allan Ingram: Depression and Melancholy, 1660-1800. 4 vols. London & New York: Routledge, 2012.

Erll, Astrid: ‘Literature, Film, and the Mediality of Cultural Memory’. Cultural Memory Studies: An International and Interdisciplinary Handbook. Ed. Astrid Erll and Ansgar Nünning. Berlin & New York: De Gruyter, 2008, 389-398.

Erll, Astrid: Kollektives Gedächtnis und Erinnerungskulturen: Eine Einführung. Stuttgart: Metzler, 2017.

Feder, Lillian: Madness in Literature. Princeton: Princeton University Press, 1980.

Foucault, Michel: Madness and Civilization: A History of Insanity in the Age of Reason. Trans. Richard Howard. New York: Vintage, 1988.

Gaedtke, Andrew: Modernism and the Machinery of Madness: Psychosis, Technology, and Narrative Worlds. Cambridge: Cambridge University Press, 2017.

Graham, Peter W.: Psychiatry and Literature. Germantown, NY: Periodicals Service Company, 2005.

Guest Pryal, Katie Rose (2010): “The Genre of the Mood Memoir and the Ethos of Psychiatric Disability”. Rhetoric Society Quarterly 40.5 (2010): 479-501.

Gymnich, Marion: Charlotte Brontë: Jane Eyre; Emily Brontë: Wuthering Heights. Stuttgart: Klett, 2007.

Hauser, Robert: ‘Der Modus der kulturellen Überlieferung in der digitalen Ära – zur Zukunft der Wissensgesellschaft’, Neues Erbe: Aspekte, Perspektiven und Konsequenzen der digitalen Überlieferung. Hrsg. Caroline Y. Robertson-von Trotha, Robert Hauser. Karlsruhe: KIT 2011, 15-38.

Hawes, Clement: Mania and Literary Style: The Rhetoric of Enthusiasm from the Ranters to Christopher Smart. Cambridge: Cambridge University Press, 1996.

Ingram, Allan: The Madhouse of Language: Writing and Reading Madness in the 18th Century. London & New York: Routledge, 1991.

Ingram, Allan (ed.): Voices of Madness: Four Pamphlets, 1683-1796. Phoenix Mill et al.: Sutton,1997.

Ingram, Allan: Patterns of Madness in the Eighteenth Century: A Reader. Liverpool, Liverpool University Press, 1998.

Ingram, Allan, and Michelle Faubert: Cultural Constructions of Madness in Eighteenth Century Writing: Representing the Insane. Basingstoke, Hampshire: Palgrave Macmillan, 2005.

Ingram, Allen, Stuart Sim, Clark Lawlor et al.: Melancholy Experience in Literature of the Long Eighteenth Century: Before Depression, 1660 – 1800. Basingstoke, Hampshire et al.: Palgrave Macmillan, 2011.

Iseli, Markus: Thomas DeQuincey and the Cognitive Unconscious. Basingstoke: Palgrave Macmillan, 2015.

Kaplan, Bert (ed.): The Inner World of Mental Illness. New York: Harper and Row 1964.

Kilian, Eveline: ‘Diskursanalyse’. Literaturwissenschaft in Theorie und Praxis. Tübingen: Narr, 2004, 61-81.

Kwast-Greff, Chantal: Distorted Bodies and Suffering Souls: Women in Australian Fiction, 1984-1994 (Editions Rodopi B.V.; 2013).

Lachmann, Renate: ‘Mnemonic and Intertextual Aspects of Literature’. Cultural Memory Studies: An International and Interdisciplinary Handbook. Ed. Astrid Erll and Ansgar Nünning. Berlin & New York: De Gruyter, 2008, 301-310.

Lange, Robert J. G.: Gender Identity and Madness in the Nineteenth-Century Novel. Lewiston, NY [u.a.]: Edwin Mellen Press, 1998.

LeFrançois, Brenda E., Robert Menzies, and Geoffrey Reaume(eds.): Mad Matters: A Critical Reader in Canadian Mad Studies. Toronto: Canadian Scholars Press, 2013.

Lewis, Bradley: ‘A Mad Fight: Psychiatry and Disability Activism,’ The Disability Studies Reader. Ed. Lennard J. Davis. London & New York: Routledge, 2010, 160-178.

Link, Jürgen: Elementare Literatur und Generative Diskursanalyse. München: Fink, 1983.

Logan, Peter Melville: Nerves and Narratives: A Cultural History of Hysteria in Nineteenth-Century British Prose. Berkeley et al.: University of California Press, 1997.

Macnaughton, Jane, and Corinne Saunders (eds.): Madness and Creativity in Literature and Culture. Basingstoke: Palgrave Macmillan, 2005.

McCann, Daniel: Fear in the Medical and Literary Imagination: Medieval to Modern. London: Palgrave Macmillan, 2018.

Mills, China, and Suman Fernando (eds.): ‘Globalising Mental Health or Pathologising the Global South? Mapping the Ethics, Theory and Practice of Global Mental Health’. Special Issue. Disability and the Global South 1.2 (2014).

Neely, Carol Thomas: Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture. Ithaca, NY, et al.: Cornell University Press, 2004.

Neumann, Birgit: ‘The Literary Representation of Memory’. Cultural Memory Studies: An International and Interdisciplinary Handbook. Ed. Astrid Erll and Ansgar Nünning. Berlin & New York: De Gruyter, 2008, 333-343.

Paris, Andreea: ‘Literature as Memory and Literary Memories: From Cultural Memory to Reader-Response Criticism’. Literature and Cultural Memory. Ed. Mihaela Irimia, Andreea Paris und Dragoş Manea. Leiden & Boston: Brill, 2017, 95-106.

Pedlar, Valerie: The Most Dreadful Visitation: Male Madness in Victorian Fiction. Liverpool: Liverpool University Press, 2006.  

Punzi, Elisabeth: ‘Ghost Walks or Thoughtful Remembrance: How Should the Heritage of Psychiatry be Approached?’ The Journal of Critical Psychology, Counselling and Psychotherapy 19.4 (2019): 242-251.

Punzi, Elisabeth, and Katrin Röder: ‘Challenging Complicity with Mentalism: Mental Distress Memoirs and Performance Art’. Complicity and the Politics of Representation. Ed. Cornelia Wächter and Robert Wirth. London & New York: Rowman & Littlefield International, 2019, 195-216.

Reaume, Geoffrey: ‘Psychiatric Patients-Built Wall Tours at the Centre for Addiction and Mental Health (CAMH), Toronto, 2000–2010’. Left History 15: 129–148

―: Remembrance of Patients Past: Patient Life at the Toronto Hospital for the Insane, 1870 – 1940. Toronto: Oxford University Press, 2000.

Rogers, Kathleen Beres: Creating Romantic Obsession. Cham: Palgrave Macmillan, 2019.

Saunders, Max: ‘Life-Writing, Cultural Memory, and Literary Studies’. Cultural Memory Studies: An International and Interdisciplinary Handbook. Ed. Astrid Erll and Ansgar Nünning. Berlin & New York: De Gruyter, 2008, 321-331.

Sedlmayr, Gerold: The Discourse of Madness in Britain, 1790-1815: Medicine, Politics, Literature. Trier: Wissenschaftlicher Verlag Trier, 2011.

Senaha, Eijun: Sex, Drugs, and Madness in Poetry from William Blake to Christina Rossetti: Women’s Pain, Women’s Pleasure. Lewiston et al.: Mellen, 1996.

Showalter, Elaine: The Female Malady: Women, Madness, and English Culture, 1830 – 1980. New York: Pantheon Books, 1985.

Stanback, Emily B.: The Wordsworth-Coleridge Circle and the Aesthetics of Disability. London: Palgrave Macmillan, 2016.

Tambling, Jeremy: Blake’s Night Thoughts. Basingstoke: Palgrave Macmillan, 2005.

Tauchert, Ashley: Mary Wollstonecraft and the Accent of the Feminine. Houndmills: Palgrave Macmillan, 2002.

Veit-Wild, Flora: Writing Madness: Borderlines of the Body in African Literature. Oxford: Currey, 2006.

Wells, Jeremy: ‘What is Critical Heritage Studies and how does it incorporate the discipline of history?’ 28 June 2917. Web. https://heritagestudies.org/index.php/2017/06/28/what-is-critical-heritage-studies-and-how-does-it-incorporate-the-discipline-of-history/

Whitehead, James: Madness and the Romantic Poet: A Critical History. Oxford: Oxford University Press, 2017.

Winkler, Amanda Eubanks: O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic and the Mad on the Seventeenth-Century English Stage. Bloomington: Indiana University Press, 2006.

Wood, Mary Elene: Life Writing and Schizophrenia: Encounters at the Edge of Meaning. Amsterdam: Editions Rodopi B.V.; 2013.

Ziolkowski, Theodore: German Romanticism and Its Institutions. Princeton: Princeton University Press, 1990.

 

Surveys

The Routledge History of Madness and Mental Health, edited by. Greg Eghigian (London & New York: Routledge,2017).

Routledge Handbook of Disability Studies. Ed. Nick Watson, Simo Vehmas. 2nd ed. (London & New York: Routledge, 2019).

Routledge International Handbook of Critical Mental Health, edited by Bruce M.Z. Cohen (London & New York: Routledge, 2019).

A Cultural History of Disability in the Renaissance, edited by Susan Anderson and Liam Haydon (London, Oxford: Bloomsbury, 2020).

A Cultural History of Disability in the Long Eighteenth Century, edited by D. Christopher Gabbard and Susannah B. Mintz (London, Oxford: Bloomsbury, 2020).

A Cultural History of Disability in the Long Nineteenth Century, edited by Joyce Huff and Martha Stoddard Holmes (London, Oxford: Bloomsbury, 2020).

A Cultural History of Disability in the Modern Age, edited by David T. Mitchell and Sharon L. Snyder (London & Oxford: Bloomsbury, 2020).

A Mad People’s History of Madness, edited by Dale Peterson (Pittsburgh: University of Pittsburgh Press, 1982).

Madness: A Brief History, edited by Roy Porter (Oxford: Oxford University Press, 2002).