This session at the 2019 International Congress on Medieval Studies examines the many valences of wounds in late medieval Christianity, focusing on themes surrounding wounds and wounding both visible (corporeal and/or material) and invisible (rhetorical and allegorical). The image of the wounded body held a central place in late medieval Christian practice and material culture; the wounds of the crucified Christ were tangible reminders of his Passion and served as foci of veneration, while stigmatic saints and maimed martyrs were marked as holy by means of bodily trauma. Papers may also consider the Christian response to physical injury, in the form of saintly intervention through healing miracles and medical intervention through the establishment of hospitals and provision of care by religious orders.
Moving beyond the ample possibilities for discussion stemming from the theme of “visible” wounds in medieval Christianity, this session also encourages a broad examination of “invisible” wounds within the late medieval Christian context. Examples might range from the accusations of metaphorical violence levied against the mendicant orders by antifraternal critics, to the conceptualization of the Western Schism as a wound to the Church. By exploring wounds both “visible” and “invisible,” this session elicits the perspectives of scholars of history, art history, literature, and theology and seeks to expand conceptions of wounds and injury within a late medieval Christian framework.
Please send a brief proposal (300 words max) and a participant information form (currently available at https://wmich.edu/medievalcongress/submissions) to Hannah Wood at Hannah.email@example.com and Johanna Pollick at firstname.lastname@example.org by 15th September 2018.
As per ICMS rules, any abstracts not accepted for our session will be forwarded for consideration for General Sessions.
See the organisator’s wesbsite for more infos !
CFP for ICMS Kalamazoo 2019: Re-defining the Monster
The proposed session will discuss and debate on the various definitions of the concept of the “monster.” Defining the monster is a challenge. Monsters and monstrosity-related aspects have been topics of academic research either connected to identity or cross-cultural encounters, explored as ‘others’ in the context of voyages (real-imagined), as heritage from Antiquity, as races reflected in travellers’ reports inserted into Western art, philosophy, and theology.
What is a monster? What is monstrosity? How is the monster conceptualized by a given community? Can one define it or does the monster define itself? Does it offer any self-description? Did the medieval man write about monsters and how does this define the monster from a cultural perspective? Where and what is the “border” between human, “other,” and monster? This session seeks original research which investigates medieval scholarly debates in philosophical, theological, political, literary, visual contexts and/or sources in order to (re)define the concept of the monster/monstrosity. Reinterpretations of previous definitions are welcome in a debate on re-visualizing medieval monsters.
This sessions also aims to bring the intellectual outcome of these sessions into the attention of the general public by publishing the proceedings of the debates in the series « picturing the Middle Ages and Ealry Modernity » at Trivent Publishing, Budapest, Hungary.
Please submitt a 250-word proposal for a 15-20 minutes paper presentation by september 15th, 2018.
Contact information :
Andrea-Bianka Znorovszky, Ca’Foscari university, Venice, Italy (email@example.com)
Theodora C. Artimon, Trivent Publishing, Budapest, Hungary
The Society for the Study of Disability in the Middle Ages Invites Proposals for the International Congress on Medieval StudiesMay 9-12 2019, Kalamazoo, MI
Medieval Disability and Pedagogy (a roundtable)
Contributors will discuss the ways in which disability has informed approaches to instruction, how to unite disability pedagogy and scholarship, possible texts for inclusion in the classroom, and selected assignments and activities that involve the medieval disability perspective. Participants will share practical ideas for effective activities, assignments, and readings.
Intersections of Race and Disability in the Global Middle Ages (a session of papers)
In this session, contributors will offer papers that explore the intersections between race and disability in the Middle Ages. We particularly seek approaches that consider non-Western, inter-disciplinary perspectives.
Disability and Public Scholarship (a session of papers)
In this session, participants will discuss the responsibilities of medieval disability studies to engage in public scholarship, how we can share our own public scholarship, and the ways that we as medieval disability studies scholars can be more active in public scholarship in order to support the value of our research.
Please send 250-word abstracts along with completed Participant Information Form to Tory Pearman at firstname.lastname@example.org by September 15.
Because medieval disability studies should pursue inclusive and intersectional scholarship, the SSDMA is committed to including perspectives representative of the diversity of the field and to amplifying voices that are too often marginalized by systemic discrimination in academic employment, publishing, funding, and conference programming
More infos on the organisator’s website !
Marked Bodies, Divine Remnants
54th International Congress on Medieval Studies – Western Michigan University, Kalamazoo—May 9-12, 2019
Sponsored by the Hagiography Society – Organized by Stephanie Grace-Petinos
“[M]iracle is a prerequisite for sainthood, and more often than not miracle involves the marking of flesh” state Molly H. Bassett and Vincent W. Lloyd state in the introduction to their 2015 work Sainthood and Race: Marked Flesh, Holy Flesh (5). In many vitae, the saint’s marked flesh serves as proof of God’s privilege. The divine remnants imprinted upon a saint’s body could take many forms, such as missing limbs, scars, stigmata, suffering and pain, and being healed of— or gaining the ability to heal— impairment. After death, saints continued their embodied demarcation as relics, material remnants capable of channeling the divine that were further distinguished through division, enshrinement, veneration, and circulation throughout various geographical locales. This panel explores the ways in which hagiography represents how the divine is expressed upon saints’ bodies.
Possible questions include, but are not limited to:
- What is the relationship between sainthood and physicality?
- How does a saint’s divinely marked body juxtapose the sacred and the secular?
- What is the role of disability, gender, and/or race?
- What role does performance, spectacle, and/or audience play?
- What limits, transgressions, or paradoxes does a marked body illuminate?
Please send abstracts of 250-300 words, along with a completed Participant Information form, to session organizer Stephanie Grace-Petinos (email@example.com) by Sept 15, 2018. Please include your name, title, and affiliation on the abstract itself. All abstracts not accepted for the session will be forwarded to Congress administrators for consideration in general sessions, as per Congress regulations.