CFP – In Sickness and in Health: Pestilence, Disease, and Healing in Medieval and Early Modern Art – 14th Annual Imago Conference, University of Haifa, January 12, 2021

In light of the global turmoil caused by the COVID-19 epidemic, the 14th Annual Imago conference will examine the cultural and artistic impact of epidemics, diseases, and healing in the art of the Middle Ages and the Early Modern Period. We hope this examination will not only shed new light on the artistic, social, and political mechanisms of both of these periods, but will also produce fresh insights into cultural and artistic responses to the current global health crisis.

Disease is an inevitable part of the human experience. Whether in times of acute crisis, the most familiar of which is the Black Death of the mid-14th century, or as a constant threat at all other times, diseases evoked varied responses, from theological formulations to the transmission of medicinal knowledge; and, not least, to artistic depictions.

We invite papers from broad and diverse points of view: case studies of iconographies dealing with disease or healing, studies of the artistic responses to specific epidemics, and comparative studies between East and West, the Christian and the Islamic worlds, etc. Interdisciplinary studies and those engaging with the production, reception, and interpretation of art concerned with disease and healing are of particular interest. Suggested topics may include, but are not limited to:

· Artistic expressions of medicinal practices

· Visual components in medical manuscripts

· Artistic responses to the Black Death and to other epidemics

· Physical and spiritual health – Medieval and Early Modern expressions

· Disease and otherness – xenophobic, racist, and anti-Semitic polemical visual expressions

· Disease – theological and moral conceptions

· Gendered aspects of disease and healing

· Disease and healing between East and West – artistic expressions

· Leprosy and its cultural and artistic representations

· Saints, relics, pilgrimage, and healing

· Disease and apotropaic practices

· Places of sickness and death: art in hospitals and cemeteries

· Images of doctors and nurses

· Representations of suffering and sickness

The conference will take place on January 12, 2021, at the University of Haifa.

* Should the ongoing Covid-19 situation prevent the conference from being held on campus, it will be held online via Zoom.

* All speakers will be allowed to deliver their paper via Zoom, even if the conference will take place physically on campus.

*We will broadcast the entire conference to participants via Zoom.

Abstracts of no more than 250 words should be sent to Dr. Gil Fishhof (gfishhof@staff.haifa.ac.il) no later than September 1st,2020. Abstracts should include the applicant’s name, professional affiliation, and a short CV. Each paper should be limited to a 20-minute presentation, to be followed by a discussion and questions. All applicants will be notified by October 1st 2020 regarding acceptance of their proposal. For additional information or further inquiries, please contact Dr. Fishhof.

Organizing committee: Dr. Gil Fishhof, Ms. Mazi Kuzi, Prof. Jochai Rosen, Dr. Margo Stroumsa-Uzan.

Permeable bodies 05 – 06 October 2018 – University college london

Permeable bodies – 05/06 October 2018 – University college london

In recent years, the human body has gained a prominent position in discussions of medieval and early modern cultures. The troublesome contingency of the human body encompassed critical boundaries between inside and outside, and became a central concern in religious, political, and economical developments. Medieval bodies were permeable microcosms, not only sites containment but also of revelatory experiences. In the early modern period, body and identity were indistinct, interdependent categories, inseparable from the natural and cultural space that they inhabited. This logic of perpetual fluidity both generated a disquieting sense of impending doom, but also allowed for the propagation of multiple possibilities of understanding, which materialised into a rich visual and material culture.

We are delighted to invite all those interested in medieval and early modern studies to a 2-day conference on Friday 5 and Saturday 6 October 2018 at University College London. This event will explore medieval and early modern notions of the changing body, as well as changing notions of the body. Images and ideas of permeable bodies will serve as an inclusive platform of inquiry into bodies of different race, gender, sex, and ability.

We welcome 20 minutes talks from scholars of any career stage. We are particularly interested in incisive and provoking perspectives on bodies traditionally relegated to the margins, in conjunction with gender and disability studies. We seek critical and original responses on the theme of corporeal permeability across not only disciplines, but also chronological and geographical boundaries.

The conference includes a workshop at the Wellcome Library, where selected images from the archives will be displayed in a private study room.

Keynote speaker: Dr. Jack Hartnell (University of East Anglia)

Please send a short abstract (200-300 words) and a biography (100 words) by Monday 23 July to Laura Scalabrella Spada and Lauren Rozenberg at permeablebodies@gmail.com. We will notify applicants by Monday 6 August.

Bursaries available on application. Please visit permeablebodies.wordpress.com for more details on how to apply, updates, and additional information.

 

More infos on the organistor’s website

Colloquium – Asclepius, the Paintbrush, and the Pen: Representations of Disease in Medieval and Early Modern European Art and Literature – May 4/5 – CMRS Medical Humanities Conference (UCLA)

CMRS Medical Humanities Conference

Asclepius, the Paintbrush, and the Pen: Representations of Disease in Medieval and Early Modern European Art and Literature

May 4May 5

Humanity has always approached disease with a mixture of curiosity and dread. Medieval and early modern people were no exception, displaying a deep fascination with virulent ailments and all sorts of physical deformities. But despite this a attraction, few artists of these eras engaged in the depiction of disease. When they did, their expression was particular to the medium used and differed among artists even when using the same medium. Since such an effort was outside their norm, what factors drove them to pick up pen or brush to approach maladies as a subject of esthetic expression? How did the artists’ experiences influence their choices in portraying disease? Were these depictions the result of something that interfered with their intent to faithfully reproduce the best of nature, or do they reflect a rebellion against what we generally assume to be the period`s artistic and literary quest: the portrayal of spiritual beauty and, later, the rediscovered beauty of the human body?

This conference, organized by Professor Massimo Ciavolella (Italian, UCLA) and Professor Rinaldo Canalis, MD (David Geffen School of Medicine at UCLA), engages these questions and the contemporary perspective they elicit.

Funding for this symposium is provided by the Endowment for the UCLA Center for Medieval & Renaissance Studies.

 

SATURDAY, MAY 5, 2018 | UCLA ROYCE HALL 314
8:30 AM Registration, coffee
9:00 Welcoming Remarks
Session I | Allison Collins (UCLA), chair
9:15 Francis Wells (Royal Papworth Hospital, Cambridge)
“The Role of the Decorative Arts in Disease”
10:00 Break
10:15 Joachim Küpper (Freie Universität Berlin)
“Malady in Literary Texts from the Medieval and the Early Modern Periods – Some Hypotheses On a Paradoxical Constellation”
11:00 Break
11:15 Gaia Gubbini (Freie Universität Berlin)
“Leprosy, Melancholy, Folly, and their Representations in Medieval French Literature”
12:00 PM Break
12:15 Alain Touwaide (UCLA, The Huntington, and Institute for the Preservation of Medical Traditions )
“The Art of Medicine in Byzantium: Disease and Disability in Byzantine Manuscripts”
1:00 Lunch Break
Session II | Rinaldo Canalis (UCLA), chair
2:15 Domenico Bertoloni Meli (Indiana University Bloomington)
“Textures of Lesions – Textures of Prints”
3:00 Break
3:15 Manuela Gallerani (Università di Bologna)
“Illness in art and art in illness: reflections based on paradigmatic works by Italian Renaissance artists”
4:00 Break
4:15 Sara Frances Burdorff (UCLA)
“‘Yet have I in me something dangerous’: Demonopathy, the Pox, and the Melancholy Dane in Shakespeare’s Hamlet
SATURDAY, MAY 5, 2018 | UCLA ROYCE HALL 314
9:00 Coffee
Session III | Monique Kornell (CMRS Associate), chair
9:30 Valeria Finucci (Duke University)
“The King and the Art of Brain Surgery”
10:15 Break
10:30 Alfonso Paolella (University of Naples)
“The ‘mal franzoso’ between art, history and literature. Paracelso and Della Porta”
11:15 Break
11:30 Efraín Kristal (UCLA)
“Nicolas Poussin’s ‘The Plague at Ashdod’ and the French Disease”
12:15 Lunch Break
Session IV | Guendalina Ajello Mahler (CMRS Associate )
1:30 Jenni Kuuliala (University of Tampere)
“Miracle and the Monstrous: Disability and Deviant Bodies in the Late Middle Ages”
2:15 Break
2:30 Lori Jones (University of Ottawa)
“‘Fevers, Botches, and Carbuncles’: Describing the Plague in Late Medieval and Early Modern Medical Treatises”
3:15 Break
3:30 Roberto Fedi (Università per Stranieri di Perugia)
“The Ailing Artist”
4:15 Concluding Remarks

 

Portraits of Human Monsters in the Renaissance – Dwarves, Hirsutes, and Castrati as Idealized Anatomical Anomalies by Touba Ghadessi

Portraits of Human Monsters in the Renaissance – Dwarves, Hirsutes, and Castrati as Idealized Anatomical Anomalies

by Touba Ghadessi

publication by Medieval Institute Publications

From the editors website :

« At the center of this interdisciplinary study are court monsters–dwarves, hirsutes, and misshapen individuals–who, by their very presence, altered Renaissance ethics vis-à-vis anatomical difference, social virtues, and scientific knowledge. The study traces how these monsters evolved from objects of curiosity, to scientific cases, to legally independent beings. The works examined here point to the intricate cultural, religious, ethical, and scientific perceptions of monstrous individuals who were fixtures in contemporary courts. »

 

More infos from the Editors website.

 

CFP – Society for the Social History of Medicine Conference 2018 – Conformity, Resistance, Dialogue and Deviance in Health and Medicine Liverpool, 11-13 July 2018.

Society for the Social History of Medicine Conference 2018

Conformity, Resistance, Dialogue and Deviance in Health and Medicine

Liverpool, 11-13 July 2018

Hosted by The Centre for the Humanities and Social Sciences of Health, Medicine and Technology

The Society for the Social History of Medicine hosts a major, biennial, international, and interdisciplinary conference, and from 11-13 July 2018 it will meet in Liverpool to explore the theme of ‘Conformity, Resistance, Dialogue and Deviance in Health and Medicine’.

This broad theme plays on several levels. It reflects local Liverpool health heritage as a site of public health innovation; independent and at times radical approaches to health politics, health inequalities, health determinants, treatment and therapies (including technological innovation, community and collective practices, and the use of arts in health).

Call for Papers

Upcoming SSHM Events

The Society for the Social History of Medicine hosts a major biennial, international, and interdisciplinary conference. From 11-13 July 2018 it will meet in Liverpool to explore the theme of ‘Conformity, Resistance, Dialogue and Deviance in Health and Medicine’.

This broad theme plays on several levels. It reflects local Liverpool health heritage as a site of public health innovation; independent and at times radical approaches to health politics, health inequalities, health determinants, treatment and therapies (including technological innovation, community and collective practices, and the use of arts in health).

We envisage that this conference theme will also stimulate participants to think about how medical orthodoxy has been shaped and re-molded, and how patients and practitioners choose to conform to conventional practices, seek alternatives, resist or compromise. The theme further facilitates a transnational conference strand, examining the construction of, and attitudes towards, Western and other medical traditions and health systems. In light of this theme, the 2018 conference committee encourages papers, sessions, round-tables and other interventions that examine, challenge, and refine histories of conformity, resistance, dialogue and deviance in medicine and health. These might be set in relation to inclusions, exclusions and injustices; insiders, outsiders and mediators; peoples, places and cultures; and diverse and expanding new social histories of health and medicine.

But the biennial conference is not exclusive in terms of its theme, and reflects the diversity of the discipline of the social history of medicine. Proposals that consider all topics relevant to histories of health and medicine broadly conceived are invited. Nor are submissions restricted to any area of study: we welcome a range of disciplinary approaches, time periods and geographical contexts. Submissions from scholars across the range of career stages are most welcome, and especially from postgraduate and early career researchers.

Possible topics include:

  • Health and medicine in colonial, postcolonial and transnational contexts
  • The political economy of health and medicine
  • Theories and practices of conformity and deviancy in health and medicine
  • New ways of framing working within the social history of medicine
  • Radical politics and resistance to dominant medical knowledge and practice
  • Critical theory and social movements such as feminist, postcolonial, disability and queer theory and activism in relation to health and medicine
  • Relations between different cultures of health and medicine
  • Inequalities of health and medical care
  • Public health
  • The environment and health
  • Animals, disease and health
  • Work and health
  • Arts and health
  • Popular representations of health and medicine

Individual submissions should include a 250 word abstract, including five key words and a one paragraph CV/resume with contact information.
Panel submissions should include three papers (each with a 250 word abstract, including five key words and a short CV), a chair, and a 100-word panel abstract.
Round table submissions should include the names of four participants (each with a short CV), a chair, a 500-word abstract and five key words.
We also invite poster presentations, short films and ideas for new sessions.

Deadline for Proposals
Friday 2 February 2018
sshm2018@liverpool.ac.uk

Bursaries

The Society offers bursaries to assist students in meeting the financial costs of attending the conference. Find out more and how to apply here.