The Senses in Medieval and Renaissance Europe: Hearing and Auditory Perception
Trinity College Dublin
24-25 April 2020
Proposals for papers are invited for a conference on The Senses in Medieval and Renaissance Europe: Hearing and Auditory Perception, which aims to provide an international and interdisciplinary forum for researchers with an interest in the history of the senses in the Middle Ages and Renaissance.
Professor David Hendy, University of Sussex
Echoes on the Air: How Modern Media Evoke and Dramatize
The history of the senses is a rapidly expanding field of research. Pioneered in Early Modern and Modern Studies, it is now attracting attention also from Medieval and Renaissance specialists. Preoccupation with the human senses and with divine control over them is evident in a range of narrative texts, scientific treatises, creative literature, as well as the visual arts and music from the pre-modern period. This conference – the second in a series devoted to the five senses – aims to contribute to this expansion by bringing together leading researchers to exchange ideas and approaches.
The conference organisers have signed a five-book contract with Brepols which is based on the theme: ‘The Senses in Medieval and Renaissance Europe’. The proceedings of our 2016 conference, ‘Sight and Visual Perception’, held in University College Dublin, edited by Ann Buckley and Edward Coleman, are due for publication in 2020.
We invite proposals from the full range of disciplines including (but not limited to) history, archaeology, musicology, art history, architecture, literary studies, acoustics, astronomy, physics, medicine. Contributions from established and early-career scholars as well as postgraduates are all equally welcome.
Suggested topics include (but are not limited to):
Titles and abstracts (maximum 300 words) together with a short biography, institutional affiliation (where relevant), and contact details should be sent to email@example.com by 1 December 2019. Proposals for panels are also encouraged.
Registration fee €40 (Students and other concessions: €25)
Click here to download Conference Poster.
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The special issue emerges from the interdisciplinary research project Disability before disability (Icel. Fötlun fyrir tíma fötlunar) situated at the Centre for Disability Studies at the University of Iceland, initiated in 2017, and supported by the Icelandic Research fund (Icel. Rannsóknasjóður) Grant of Excellence No 173655-05.
Recent years have seen growing interest in the exploration of disability in premodern societies and cultures. In line with the now commonly accepted (working) premise that disability is a multi-factorial phenomenon, scholars have come to realise that there can be no fixed, atemporal or acultural definition of disability. Thus, in order to consider whether and how premodern societies may have conceptualized disability, scholars must shed presentist preconceptions, cast a wide net, and be prepared to read between the lines. Equipped with an understanding of disability as a tool of sociocultural analysis, scholars today commonly make use of the concepts of ‘embodied difference’ and ‘marked or unusual bodies’ to yield more fruitful results as they do not imply pre-defined notions of disability. Although the body becomes a central platform on whose basis disability is negotiated, scholars are in no way limited to speaking only of the physicality of bodies. Rather the body is understood as a medium which materialises and translates physical, psychic, and intellectual differences in a way that societies can identify them as deviations from what is considered ‘normal’ in specific historical and socio-cultural contexts. Indeed, the phenomenon of disability cannot be studied without the contrast of what a culture or society conceptualizes as ‘ability’ and identifies as ‘normal’. The term ‘dis/ability’ can be used to express this inherent relationship and to remind us that it is not possible to understand one without recognizing the other.
Within this theoretical context, we invite proposals for essays (c. 7000 words) for a special issue of the journal Mirator that seeks to expand upon growing interest of dis/ability in the context of the medieval Nordic world. Contributors to the special issue will explore dis/ability within the context of different social arrangements and cultural conventions in the medieval Nordic world. We will especially welcome contributions that focus on close reading of specific texts (historical, legal, literary, etc.) as well as suggestions for broad, methodological approaches towards the study of dis/ability in the medieval Nordic world. Contributors will be encouraged, where possible, to expand the scope of their research to include related aspects from the fields of cultural studies, social theory, history, art, etc. In the context of the medieval Nordic world, possible topics include, but are not limited to:
- Approaches to the experience of dis/ability (i.e. sources, methodology)
- Dis/ability and society
- Religion and dis/ability
- Dis/ability and medical knowledge
- Intersections of dis/ability with age, gender, social status, etc.
- Dis/ability and the law
- Narrating experiences and perceptions of dis/ability
- Dis/ability, assistive technology, and care
- Terminology or language of dis/ability
Contributions dealing with geographic regions in the medieval Nordic world, including Denmark, Finland, Iceland, Norway, and/or Sweden, are welcome. We hope to represent all of these regions in the special issue and are particularly eager to field proposals dealing with Danish and Finnish material.
Please send one-page essay proposals accompanied by brief author bio (c. 100 words) to firstname.lastname@example.org by June 1, 2019. In order to achieve an expeditious production timeline, essay drafts will be due in January 2020. Please feel free to contact us with any questions or concerns you might have in the meantime.
Sense and Nonsense Conference 27-30 August 2019
Conference call for papers: Sense and Nonsense
This biennial conference of the European Association for the History of Medicine and Health marks the 30th anniversary of the Association since its founding conference in Strasbourg in 1989. The title of the conference has been chosen to recognise key themes at the heart of medical history debates and discussions, and will take place in the heart of England, at the University of Birmingham.
Confirmed keynote speakers include Professor Ludmilla Jordanova (University of Durham), Professor Robert Jütte (University of Stuttgart) and Dr Vanessa Heggie (University of Birmingham). Expert sessions on public engagement and social media, among others, will also be run by Dr Vanessa Heggie and Alice Roberts, television presenter and Professor of Science Engagement (University of Birmingham) specifically for early career scholars on the first day of the conference.
Call for Papers
In the most literal of senses, the Scientific Board welcomes abstracts that will explore the history of sense perception, singularly or collectively and within medicine and health globally over the broadest of chronologies. Centring on touch, taste, smell, sight, sound or the heightened, honed, dulling, disability or loss of senses, or touching on their employment through food, pain, analgesia, polluted streets or pestiferous zones – and the emotional responses elicited – this conference encourages engagement with the emerging field of sensory history and its potential to revisit many familiar topics in fresh ways and provoke new insights. The centrality of the senses to medicine and health cuts across time periods and is apparent throughout the ancient and modern worlds, although the reliability of the senses have not always been accepted without question. At times, for example, ‘seeing is not believing’ through fakery or faith, hallucinations or delusions. And while not all periods have valued sight, neither has every practitioner cared or dared to touch their patients – all senses, like touch, having equally been gendered, if not varied with class, age and race or shaped by medical condition, comfort or neurodiversity.
While the five senses may have been recognised and embraced during the Enlightenment as the route to all knowledge, it was during this ‘age of reason’ that the so-called Western World and its colonies witnessed the rise of the asylum. Care became central for those who appeared to lose their senses or who were thought only capable of nonsense, in part because they were widely recognised as having human sensibilities and sensations and not those of animals. The senses and the action of the surroundings on them became instrumental in decisions about design and treatment, and people considered to be mentally ill or incapacitated became part of a growing body of patients who were isolated from communities. Periodically, due to war, migration and urbanisation, the senses have been overwhelmed by encounters with unfamiliar or rapidly-changing worlds in which amplified sights, smells, noises and even vibrations were held potentially to precipitate episodes of mental ill-health.
Both the history of the senses and of mental health and illness have been involved in paradigm shifts in the discipline of history, and this forms another strand to our theme ‘Sense and Nonsense’. Often new paradigms, both in historical fields and medicine, provoke aggressive responses and opposition, especially from those with the greatest investment in orthodox practices. Equally, in crowded medical marketplaces, alternative healers were very quickly identified by their rivals as ‘quacks’ and, just as the hierarchy of the senses was periodically challenged, so too were hierarchies of healers. Contested knowledge has led some figures to exaggerate claims and bred scepticism among experts and various publics, no more so than in our own destabilised ‘post-truth’ world of trickery and ‘alternative facts’. While this has bred much confusion historically, it has also led a return to rationality, objectivity and common sense. As often, it has encouraged trust in the illusory, the paranormal or the sixth sense. Ultimately, ‘Sense and Nonsense’ have always played a part in the way people and populations have tried to make sense of health and illness.
We particularly welcome proposals for panels touching on these and other topics, including, but not limited to:
- Epistemologies of the senses through time
- Animal, human, inter-species and transhuman senses
- Reading non-verbal signals and uncovering the rationale behind premodern medicines
- Extra/sensory perception and its metaphors across cultures and clinics
- Visual cultures and those of taste, sound, scent and touch
- Looking/seeing, listening/hearing, touching, smelling and tasting in medical education, examination and diagnosis
- Energy, chakras, meditation, mindfulness and the senses and their management
- Pain, torture, itching, scratching, numbing and sedating as experience, crime, punishment or therapy
- Hyper-sensitivity, diversity, ability or disability through the senses, including burns, light sensitivity, synaesthesia, acute hearing or sight loss
- Insensibility, drugs and psychoactive substances
- Enabling technologies and technologies of touch, tactile imagery and haptic healing
- Material culture and experiences of space through the senses, health, illness or as patients
- Feeling and feelings
- Mental capacity, signs of reason, neurological signs and auras
- Fever, chills, hallucination, delusion and trauma
- Nonsense, speaking in tongues, gibberish and jargon
- Paradigm shifts in medicine and medical history
- Ethics, experimentation and the return to common sense
- Experiments, therapies or designs using the senses or sensory deprivation
- Making sense of medicine and translating ideas into practice
- Geographies of the senses; virtual worlds and technology
Individual submissions will be received until 30 Jan. 2019 and should comprise a 250-word abstract, including five key words, and a one-page CV with contact information. Panel submissions should ideally include three papers (each with 250-word abstract, keywords and short CV), a chair and an initial introductory 100-word justification. If you wish to organise a roundtable, please include the names of participants and short 500-word abstract. We also invite poster presentations and ideas for novel sessions. As this is an anniversary year, the organisers will also be collecting and displaying images and items commemorating the work and activities of the EAHMH since the Association’s founding. Please contact us about anything you are happy to share. All submissions should be sent to: email@example.com