Archives par mot-clé : History of emotions

CFP – Interiority and Alterity- Hortulus Journal – Fall 2017

Call for Papers: Fall 2017 Themed Issue, “Interiority and Alterity”

Hortulus: The Online Graduate Journal of Medieval Studies is a refereed, peer-reviewed, and born-digital journal devoted to the culture, literature, history, and society of the medieval past. Published semi-annually, the journal collects exceptional examples of work by graduate students on a number of themes, disciplines, subjects, and periods of medieval studies. We also welcome book reviews of monographs published or re-released in the past five years that are of interest to medievalists. For the Fall issue we are particularly interested in reviews of books which fall under the current special topic.

Interiority refers to personal emotions, ideals, and beliefs in addition to self-reflection and inner consciousness. Recent scholarship in Cultural Studies asks how these elements of interiority may impact upon culture more broadly, and the extent to which culture impacts interiority. With alterity we refer not only to the state of being ‘other’ or different, but also to the study of how this difference is created. Within the framework of such study a mutual interrogation between center and periphery remains critical in order to prevent a reproduction of cycles of hegemony. In this context, the concepts of interiority and alterity both complement and contrast with each other: to echo Iain Chambers (himself echoing Heidegger), we refer to what unfolds towards us and away from us, to what both envelopes and exceeds us (“Signs of Silence, Lines of Listening”, The Postcolonial Question: Common Skies, Divided Horizons ed. I. Chambers and L. Curti, pp. 47-63 at p. 54).

For our Fall 2017 themed issue we invite proposals that critically engage with the concepts of interiority and alterity, both as separate concepts and in relation to each other. We hope to attract articles offering comparative and multidisciplinary perspectives, and welcome contributions from the fields of history, art history, literary scholarship, archeology, anthropology, or any other discipline that will contribute to our thinking about the application of these concepts and their broader theoretical contexts in the medieval period. We are particularly interested in submissions that take a more methodology-focused approach and those which engage with the materiality of interiority and alterity in the Middle Ages. Hortulus additionally suggests that contributors familiarize themselves with the current scholarship surrounding the use of the terms ‘Otherness’ and alterity.

Contributions should be in English and roughly 6,000–12,000 words, including all documentation and citational apparatus; book reviews are typically between 500-1,000 words but cannot exceed 2,000. All notes must be endnotes, and a bibliography must be included; submission guidelines can be found here. Contributions may be submitted to hortulus[at]hortulus-journal[dot]com and are due 25 September 2017. If you are interested in submitting a paper but feel you would need additional time, please send a query email and details about an expected time-scale for your submission. Queries about submissions or the journal more generally can also be sent to this address.

More on the Hortulus Journal website

Podcast – Musique et folie au Moyen Âge – Martine Clouzot

Musique et folie au Moyen Âge – Martine Clouzot

Un air d’histoire Par Karine Le Bail

Vivant décalé de la société, le musicien du Moyen Âge est un marginal. Sujet à instabilité et pauvreté, la folie lui est souvent associée par les instances religieuses, politiques, culturelles, et plus particulièrement encore dans les enluminures datant de 1200 à 1500, à destination des laïcs.

 

Lien du podcast:

https://www.francemusique.fr/emissions/un-air-d-histoire/musique-et-folie-au-moyen-age-par-martine-clouzot-30155

Lien Itunes:

https://itunes.apple.com/fr/podcast/un-air-dhistoire/id1150937219?mt=2&uo=4

 

Martine Clouzot, professeure en histoire du Moyen Âge à l’Université de Bourgogne à Dijon. Spécialisée notamment sur la question musicale et des « fous » de l’époque, elle a été co-commissaire de l’exposition « Moyen Âge, entre ordre et désordre », présentée en 2004 à la Cité de la Musique à Paris. Auteure de Musique, folie et nature au Moyen Âge. Les figurations du fou musicien dans les manuscrits enluminés (XIIIe-XVe s.), elle est notre invitée pour nous dévoiler une partie de cet univers riche, déconcertant et passionnant.
Vous pouvez retrouver sa biographie complète ici.

 

Plus d’informations sur le Podcast ici.

CFP – The Medieval Brain Workshop, University of York, March 10th and 11th, 2017.

The Medieval Brain Workshop. University of York, 10th & 11th March 2017.

As we research aspects of the medieval brain, we encounter complications generated by medieval thought and twenty-first century medicine and neurology alike. Our understanding of modern-day neurology, psychiatry, disability studies, and psychology rests on shifting sands. Not only do we struggle with medieval terminology concerning the brain, but we have to connect it with a constantly-moving target of modern understanding. Though we strive to avoid interpreting the past using presentist terms, it is difficult – or impossible – to work independently of the framework of our own modern understanding. This makes research into the medieval brain and ways of thinking both challenging and exciting. As we strive to know more about specifically medieval experiences, while simultaneously widening our understanding of the brain today, we much negotiate a great deal of complexity.

In this two-day workshop, to be held at the University of York on Friday 10th and Saturday 11th March 2017 under the auspices of the Centre for Chronic Diseases and Disorders, we will explore the topic of ‘the medieval brain’ in the widest possible sense. The ultimate aim is to provide a forum for discussion, stimulating new collaborations from a multitude of voices on, and approaches to, the theme.

This call is for papers to comprise a series of themed sessions of papers and/or roundtables that approach the subject from a range of different, or an interweaving of, disciplines. Potential topics of discussion might include, but are not restricted to:

  • Mental health
  • Neurology
  • The history of emotions
  • Disability and impairment
  • Terminology and the brain
  • Ageing and thinking
  • Retrospective diagnosis and the Middle Ages
  • Interdisciplinary practice and the brain
  • The care of the sick
  • Herbals and medieval medical texts

Research that grapples with terminology, combines unconventional disciplinary approaches, and/or sparks debates around the themes is particularly welcome. We will be encouraging diversity, and welcome speakers from all backgrounds, including those from outside of traditional academia. All efforts will be made to ensure that the conference is made accessible to those who are not able to attend through live-tweeting and through this blog.

Please send abstracts of up to 250 words for independent papers, or expressiond of interest for roundtable topics/themed paper panels, by Friday 21st October, to Deborah Thorpe at: deborah.thorpe@york.ac.uk.

 

Find the Call for paper on their blog for a two-day interdisciplinary workshop, supported by the Centre for Chronic Diseases and Disorders at the University of York.

History of Disease, Disability & Medicine in Medieval Europe